About Me

Qualifications:
MA, Teaching and Practice of Creative Writing, Cardiff University, 2010
BA (Hons) English and Creative Writing, Aberystwyth University, 2006
City & Guilds: Preparing to Teach in the Lifelong Learning Sector, 2009

Publications and Achievements:
Published:'Parthian'2012,'Buzz Magazine'2012,'The Pygmy Giant' 2011,'Cheval 4'2011,the White Leaf Review, 2008

Guest author: Shoreham Wordfest,2012
Longlisted, Cinnamon Press Poetry Collection Award, 2011
Shortlisted, Bridport Prize for Poetry, 2010
Shortlisted, CODA Architects poetry collaboration project, 2010
Guest Poet:Salisbury House, London, 2009
Won ‘Highly Commended’, the Royal Literary Fund, 2005
Shortlisted for John Tripp Award for spoken word, 2004

Professional Memberships: Professional Member of the National Association of Writers in Education, Lapidus

Rebecca has worked for a number of years in magazine, newspaper, book publishing and bookselling. She has experience of teaching creative writing to primary, sixth form, undergraduate and FE level students.

Feature


 Christina Thatcher attended the 'Writing for Self Discovery' workshop in May 2012. The writing was inspired by an exercise from the 'Writing the Body' segment of the workshop.



                                                       Writing the Body


My fingers are the same size from the bottom to the top. Some people have slender ones or ones that widen at the knuckle and taper off towards the tip. But mine are uniform which, I think, makes them look worn and washed out. My hands are older than me; I carry my stress and anxieties in them. Years of farm work has weathered them. The nails are brittle and uneven, bitten to the quick before every assignment, interview, and emotional day. The cuticles are overgrown or half-heartedly pushed back. But none of this bothers me now.

As a teen I had an artist boyfriend who always drew hands so I wore gloves whenever we were together – even in the summer. But later I accepted them for what they were – the story of my life – and began to decorate them. I covered my ring fingers when I traveled to England for the first time. I bought the second ring in Ireland when the sun was setting over Galway Bay. I chose the third to mark a mountain climb and the end of an era, slipping it on at Penn State creamery where my best friends and I celebrated our win over Mount Nittany and our last year in college. Now whenever I forget the rings I feel like my hands have left part of my story behind. 

The insides of my palm match my brother’s. We both have ‘M’s etched on them which – a fortune teller once told us – means we will lead a long and difficult life. The mark I keep between my thumb and index is the same as the birthmark under his eye. Our Dad used to say it was a ‘T’ so we would always know we were Thatchers.

The veins on the top of my hand form a blue heart. In the winter when it’s cold and my skin’s gone translucent I often look to this for comfort.  

As a child and teen my hands were covered in calluses from lifting hay bales, pushing wheelbarrows, mucking stalls, carrying water buckets, and playing the guitar. My hands are softer now, apart from the deep drove where I keep my pen. 



 
Christina Thatcher is a freelance writer, teacher, and researcher in Wales. She is currently working on her first collection of short stories and attempting to order her latest poems into a respectable chapbook.



If you have attended a workshop or have been inspired by a Write Co Twitter prompt and would like to submit a piece to be featured, please get in touch, thewriteco@hotmail.co.uk





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